I directed Sydney Theatre Company’s 2003 revival of Alan’s groundbreaking play The One Day of the Year. The play, written in 1958 when Alan was 31, was famously rejected in 1960 by the very first Adelaide Festival as being too controversial. An amateur company produced the work in that city in the same year, and in Sydney the following year the first professional production earned Alan death threats.
It is now one of the great cornerstones of the Australian theatre. Its nominal subject is ANZAC Day and the limits of Australian mateship and masculinity, but it’s a play, I think, that ranks with the best family dramas the world has. The war in Iraq was intensifying as we rehearsed, lending fresh frisson, but finally it was the human drama of father and son that affected people the most. To see Max Cullen as Alf and Nathaniel Dean as son Hughie, with Kris McQuade as the mother in between and Ron Haddrick (Alf in the 1961 Sydney production) and Eloise Oxer intervening from the sides, was to witness ruptures known to families everywhere. It was a privilege to be with Alan during that revival.